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Book Details

The Year's Best Fantasy Stories: 6

78.6% complete
Copyright ©, 1980, by DAW Books, Inc.
1980
Anthology; Collected Stories; Fantasy
Unknown
Never (or unknown...)
See 13
The Year in Fantasy: AN INTRODUCTION
Garden of Blood BY ROGER ZELAZNY
The Character Assassin BY PAUL H. COOK
The Things That Are Gods BY JOHN BRUNNER
Zurvan's Saint BY GRAIL UNDWIN
Perfidious Amber BY TANITH LEE
The Mer She BY FRITZ LEIBER
Demon of the Snows BY LIN CARTER
The Pavilion Where All Times Meet BY JAYGE CARR
Cryptically Yours BY BRIAN LUMLEY
Red As Blood BY TANITH LEE IS
Sandmagic BY ORSON SCOTT CARD
The Year's Best Fantasy Books: AN APPENDIX
Book Cover
Has a genre Has an extract In my library In a series 
45127
 The Year's Best Fantasy Stories*
#6 of 6
The Year's Best Fantasy Stories*     See series as if on a bookshelf
A series released by DAW of fantasy short stories edited by Lin Carter at first and then by Arthur W Saha later.

3) The Year's Best Fantasy Stories: 3
4) The Year's Best Fantasy Stories: 4
5) The Year's Best Fantasy Stories: 5
6) The Year's Best Fantasy Stories: 6
No dedication.
Earning his passage and pay as a scout, Dilvish rode on ahead of the caravan that day, checking the pass-worthiness of mountain trails and investigating side ways for possible hazzards.
May contain spoilers
When all had heard the news, the forest wept for Cer Cemreet, and each tree gave a twig to be burned in his memory, and shed sap to sink into the ground in his name.
No comments on file
Extract (may contain spoilers)
Tipping back the hood of his black cloak, leaning on his staff of curdled light, the traveler contemplated the land where he had incarcerated the elemental called Litorgos.  That being hated both salt and silt; accordingly, here had been a most appropriate choice.

Half a day's walk from the edge of the sea the land reared up to form a monstrous irregular battlemented cliff twenty times the height of a tall man, notched where a river cascaded over the rim of the plateau above.  Thence it spilled across a wedge-shaped plain of its own making and developed into a narrow delta, following sometimes this and sometimes that main channel.  In principle such land should have been fertile.  Opposite the river's multiple mouths, however, a dragon-backed island created a swinge, such that at spring tide ocean water flooded ankle-deep over the soil, permeating it with salt.  Therefore, only hardy and resistant crops could be grown there, and in a bad year they might be overtaken by the salty inundation before they were ready to harvest.

This had not prevented the establishment of cities.  One had been founded close to the waterfall, and flourished awhile on trade with the plateau above.  A crude staircase had been carved out of the living rock, up which slaves daily toiled bearing salt, dried fish and baskets of edible seaweed, to return with grain and fruit and sunflower oil.  Then the elemental slumbering below stretched to test the firmness of his intangible bonds; they held him, but the staircase crumbled and the city disappeared.

More recently a port had been built on wooden piles at the mouth of the main channel; the island opposite was thickly forested.  With the clearance of the woodland, marble was discovered.  Cutting and polishing it, exporting it on rafts poled along the coastal shallows, the inhabitants grew rich enough to deck their own homes with marble and with colorful tiles in patterns, each of which constituted a charm against ill fortune.  But now the marble was exhausted, and so was most of the timber, and the city Stanguray, which had once been famous, was reduced to a village.  Its present occupants lived in the attics and lofts of the old town, and as they lay down to sleep could listen to the chuckle of water rippling within the lower part of their homes.  To get from one surviving building to another even toddlers deftly walked along flimsy rope bridges, while the needs of the elderly and better-off - for there were still rich and poor in Stanguray - were met by bearers of reed-mat palankeens, adept at striding down the waterways and across the mudflats on stilts taller than themselves.  This mode of transport had no counterpart elsewhere.

And it was entirely fitting, the traveler reflected, that this should be so.  For once the river, which here met the ocean, had run under the ramparts of Acromel, and was known as Metamorphia.  No longer did it instantly change whatever fell or swam in its waters, it having been decreed that after a certain span of altering the nature of other things, it must amend its own.  Yet and still a trace of what had gone before remained, and would forever in the work of all rivers: they would erode mountains, create plains, cause the foundation and destruction of countless cities.

Moreover, in all the settlements along it, including those around Lake Taxhling on the plateau above - the first earnest of the inevitable change in the river's nature, for there it spread out and grew sluggish and reed-fringed before it ultimately spilled over the cliffs and became the opposite, violent and fast and sparkling - the residual magic of Metamorphia had led to schools of enchantment.  Of no very great import, admittedly, nothing to compare with the traditions of Ryovora or Barbizond or the Notorious Magisters of Alken Cromlech, but dowered nonetheless with a certain potency.

Such matters being of the keenest interest to him, the traveler set forth along riverside paths toward this paradoxical village of marble columns and tiled pilasters.  It was dawn; the clouds in the east were flushing scarlet and rose and vermilion, and fisherfolk were chanting melodiously as they carried their night's catch ashore in reed baskets and spilled them into marble troughs, once destined for the watering of noblemen's horses, where women and children busily gutted them.  The smell of blood carried on the wind.  It was acute in the traveler's nostrils when he was still a quarter-hour's walk distant.

And then it occurred to him that in fact there was only a slight breeze, and that it was at his back: blowing off the land, toward the sea.

 

Added: 15-Mar-2026
Last Updated: 24-Aug-2026

Publications

 01-Nov-1980
DAW Books
Mass Market Paperback
In my libraryOrder from amazon.comHas a cover imageBook Edition Cover
Date Issued:
Cir 01-Nov-1980
Format:
Mass Market Paperback
Cover Price:
$1.95
Pages*:
191
Catalog ID:
UJ1578
Pub Series #:
410
Internal ID:
144164
Publisher:
ISBN:
0-879-97578-4
ISBN-13:
978-0-879-97578-4
Printing:
1
Country:
United States
Language:
English
Credits:
Josh Kirby  - Cover Artist

Back Cover Text:
FANTASY: 6


Fantasy or science fiction?  Which is better?  Which is the day's leader in the field of the imagination?

The controversy has been going on for years.  Like the eternal dispute between cat-lovers and dog-fanciers there is never going to be an answer.  It's a matter of taste - and the two are so nearly identical that it is also a matter of hair-splitting definitions.

For one thing, anyone who likes science fiction will find in THE YEAR'S BEST FANTASY STORIES plenty to like.  Yet Lin Carter, the Grand Master of Fantasy, would insist that these are all fine tales of fantasy.

Can you go wrong with stories by
TANITH LEE
JOHN BRUNNER
ORSON SCOTT CARD
FRITZ LEIBER
BRIAN LUNLEY
JAYGE CARR
or the others?


We say you can't.  Once again Lin Carter has selected the finest of the year fantasy novelettes and short stories.

- A DAW BOOKS ORIGINAL -
NEVER BEFORE IN PAPERBACK
Cover(s):
Book CoverBook Back CoverBook Spine
Notes and Comments:
First Printing, November 1980
First printing based on the number line
Image File
01-Nov-1980
DAW Books
Mass Market Paperback

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*
  • I try to maintain page numbers for audiobooks even though obviously there aren't any. I do this to keep track of pages read and I try to use the Kindle version page numbers for this.
  • Synopses marked with an asterisk (*) were generated by an AI. There aren't a lot since this is an iffy way to do it - AI seems to make stuff up.
  • When specific publication dates are unknown (ie prefixed with a "Cir"), I try to get the publication date that is closest to the specific printing that I can.
  • When listing chapters, I only list chapters relevant to the story. I will usually leave off Author Notes, Indices, Acknowledgements, etc unless they are relevant to the story or the book is non-fiction.
  • Page numbers on this site are for the end of the main story. I normally do not include appendices, extra material, and other miscellaneous stuff at the end of the book in the page count.






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