To Top
[ Books | Comics | Dr Who | Kites | Model Trains | Music | Sooners | People | RVC | Shows | Stamps | USA ]
[ About | Terminology | Legend | Blog | Quotes | Links | Stats | Updates | Settings ]

Book Details

Future Tense

64.3% complete
Copyright © 1968 by Richard A. Curtis
1968
Anthology; Collected Stories; Science Fiction
Unknown
Never (or unknown...)
See 11
Introduction - On Prediction by Isaac Asimov
The Land Ironclads by H. G. Wells
New York A.D. 2660 by Hugo Gernsback
Billenium by J. G. Ballard
The Lysenko Maze by David Grinnell
QRM - Interplanetary by George O. Smith
With These Hands by C. M. Kornbluth
Politics by Murray Leinster
The Day Rembrant Went Public by Arnold M. Auerbach
Solution Unsatisfactory by Robert A. Heinlein
Security Check by Arthur C. Clarke
Book Cover
Has a genre Has comments Has an extract In my library 
25084
No series
No dedication.
The matter of prediction is full of pitfalls.
May contain spoilers
He had just seen the spaceship.
Comments may contain spoilers
"New York A.D. 2660" by Hugo Gernsback : From RALPH 124C 41+ by Hugo Gernsback.  Copyright 1925 by The Stratford Company.  Second Edition copyright 1950 by Hugo Gernsback.  By permission of Radio-Electronics and M. Harvey Gernsback.

"Billenium" by J. G. Ballard: © 1960 Nova Publications Ltd., London, for NEW WORLDS SCIENCE FICTION.  Reprinted by permission of the author and the author's agent, Scott Meredith Literary Agency, Inc.

"The Lysenko Maze" by David Grinnell: Copyright 1954, by Fantasy House, Inc.  Reprinted from the Magazine of Fantasy and Science Fiction, July 1954, by permission of the author.

"QRM - Interplanetary" by George 0. Smith: From VENUS SAY by George 0. Smith.  Copyright 1947 by the Prime Press.  Reprinted by permission of Lurton Blassingame.

"With These Hands" by C. M. Kombluth: © 1951 by Galaxy Publishing Corporation.  Reprinted by permission of the author's estate and his agent, Scott Meredith Literary Agency, Inc.

"Politics" by Murray Leinster: Copyright 1932 by Astounding Stories, Reprinted by permission of the author.

"The Day Rembrandt Went Public" by Arnold M. Auerbach: © 1962 by Harper & Row, Publishers, Inc.  Reprinted by permission of the author and his agent, Julian S. Bach, Jr.

"Solution Unsatisfactory" by Robert A. Heinlein: Copyright 1940 by Street & Smith Publications, Inc.  Reprinted by permission of Lurton Blassingame.

"Security Check" by Arthur C. Clarke: Copyright 1957 by Fantasy House, Inc. Reprinted by permission of the author and the author's agent, Scott Meredith Literary Agency, Inc.
"Billenium" is mispelled and the actual title should be "Billennium".
Extract (may contain spoilers)
All day long, and often into the early hours of the morning the tramp of feet sounded up and down the stairs outside Ward's cubicle.  Built into a narrow alcove in a bend of the staircase between the fourth and fifth floors, its plywood walls flexed and creaked with every footstep like the timbers of a rotting windmill.  Over a hundred people lived in the top three floors of the old rooming house, and sometimes Ward would lie awake on his narrow bunk until 2 or 3 A.M., mechanically counting the last residents returning from the all-night movies in the stadium half a mile away.  Through the window he could hear giant fragments of the amplified dialogue booming among the rooftops.  The stadium was never empty.  During the day the huge four-sided screen was raised on its davit and athletics meetings or football matches ran continuously.  For the people in the houses abutting the stadium the noise must have been unbearable.

Ward, at least, had a certain degree of privacy.  Two months earlier, before he came to live on the staircase, he had shared a room with seven others on the ground floor of a house in 755th Street, and the ceaseless press of people jostling past the window had reduced him to a state of chronic exhaustion.  The street was always full, an endless clamour of voices and shuffling feet.  By 6:30, when he woke, hurrying to take his place in the bathroom queue, the crowds already jammed it from sidewalk to sidewalk, the din punctuated every half minute by the roar of the elevated trains running over the shops on the opposite side of the road.  As soon as he saw the advertisement describing the staircase cubicle he had left (like everyone else, he spent most of his spare time scanning the classifieds in the newspapers, moving his lodgings an average of once every two months) despite the higher rental.  A cubicle on a staircase would almost certainly be on its own.

However, this had its drawbacks.  Most evenings his friends from the library would call in, eager to rest their elbows after the bruising crush of the public reading room.  The cubicle was slightly more than four and a half square metres in floor area, half a square over the statutory maximum for a single person, the carpenters having taken advantage, illegally, of a recess beside a nearby chimney breast.  Consequently Ward had been able to fit a small straight-backed chair into the interval between the bed and the door, so that only one person at a time need to sit on the bed - in most single cubicles host and guest had to sit side by side on the bed, conversing over their shoulders and changing places periodically to avoid neckstrain.

"You were lucky to find this place," Rossiter, the most regular visitor, never tired of telling him.  He reclined back on the bed, gesturing at the cubicle.  "It's enormous, the perspectives really zoom.  I'd be surprised if you hadn't got at least five metres here, perhaps even six."

Ward shook his head categorically.  Rossiter was his closest friend, but the quest for living space had forged powerful reflexes.  "Just over four and a half, I've measured it carefully.  There's no doubt about it."

Rossiter lifted one eybrow.  "I'm amazed.  It must be the ceiling then."

Manipulating the ceiling was a favourite trick of unscrupulous landlords - most assessments of area were made upon the ceiling, out of convenience, and by tilting back the plywood partitions the rated area of cubicle could be either increased, for the benefit of a prospective tenant (many married couples were thus bamboozled into taking a single cubicle), or decreased temporarily on the visits of the housing inspectors.  Ceilings were criss-crossed with pencil marks staking out the rival claims of tenants on opposite sides of a party wall.  Someone timid of his rights could be literally squeezed out of existence - in fact, the advertisement "quiet clientele" was usually a tacit invitation to this sort of piracy.

"The wall does tilt a little," Ward admitted.  "Actually, it's about four degrees out - I used a plumb-line.  But there's still plenty of room on the stairs for people to get by."

 

Added: 05-Feb-2026
Last Updated: 05-Feb-2026

Publications

 01-Sep-1968
Dell Publishing Company
Mass Market Paperback
In my libraryOrder from amazon.comHas a cover imageBook Edition Cover
Date Issued:
Cir 01-Sep-1968
Format:
Mass Market Paperback
Cover Price:
$0.60
Pages*:
220
Catalog ID:
2769
Internal ID:
84146
ISBN:
Unknown
Printing:
1
Country:
United States
Language:
English
Credits:
Hoot von Zitzewitz  - Cover Artist

Back Cover Text:
THE LAUNCHING PAD

Satellites... giant computers... atomic weaponry... the new genetics... the most fantastic developments of today and tomorrow...  In this dazzling gathering of the greatest flights of the science fiction imagination, you will see where they all began.

THE LAND IRONCLADS
by H.G. Wells
NEW YORK A.D. 2660
by Hugo Gernsback
BILLENIUM
by J.G. Ballard
THE LYSENKO MAZE
by David Grinnell
QRM - INTERPLANETARY
by George 0. Smith
WITH THESE HANDS
by C.M. Kornbluth
POLITICS
by Murray Leinster
THE DAY REMBRANDT WENT PUBLIC
by Arnold M. Auerbach
SOLUTION UNSATISFACTORY
by Robert A. Heinlein
SECURITY CHECK
by Arthur C. Clarke
Cover(s):
Book CoverBook Back CoverBook Spine
Notes and Comments:
First printing - September 1968
Image File
01-Sep-1968
Dell Publishing Company
Mass Market Paperback

Related

*
  • I try to maintain page numbers for audiobooks even though obviously there aren't any. I do this to keep track of pages read and I try to use the Kindle version page numbers for this.
  • Synopses marked with an asterisk (*) were generated by an AI. There aren't a lot since this is an iffy way to do it - AI seems to make stuff up.
  • When specific publication dates are unknown (ie prefixed with a "Cir"), I try to get the publication date that is closest to the specific printing that I can.
  • When listing chapters, I only list chapters relevant to the story. I will usually leave off Author Notes, Indices, Acknowledgements, etc unless they are relevant to the story or the book is non-fiction.
  • Page numbers on this site are for the end of the main story. I normally do not include appendices, extra material, and other miscellaneous stuff at the end of the book in the page count.






See my goodreads icon goodreads page. I almost never do reviews, but I use this site to catalogue books.
See my librarything icon librarything page. I use this site to catalogue books and it has more details on books than goodreads does.


Presented: 03-Apr-2026 06:45:16
mirror site
Website design and original content
© 1996-2026 Type40 Web Design.
Contact: webmgr@type40.com
Server: soonerfb.com
Page: bksDetails.aspx
Section: Books

This website uses cookies for use in navigating this site only. No personal information is gathered or shared with anyone. If you don't agree, then don't use this site.